Johannes Leertouwer is chief conductor and artistic director of the recently formed Nieuwe Philharmonie Utrecht.
In September of 2009, he conducted this orchestra in an exciting and much praised debut which featured a program of Stravinsky and Ravel and he will continue to lead the NPU in a series of concerts and special projects in the coming years. The orchestra performs on period instruments as well as repertoire of the nineteenth- and early twentieth century. It also features an extensive educational program, and therefore clearly carries the signature of its chief conductor.
Johannes Leertouwer studied conducting with David Porcelijn and the legendary Finnish professor Jorma Panula, He has worked as guest conductor with various orchestras, such as the Noord Nederlands Orkest, choir and orchestra of the Netherlands Bach Society. He has also worked with orchestras in Belgium, France, Japan and Mexico. From 1989 to 2006 he was artistic director and conductor of the Netherlands Youth String Orchestra, and also conducted various projects at European conservatories in Paris, Antwerp, Leipzig and Amsterdam.
After studying violin with Bouw Lemkes in Amsterdam and Josef Suk in Vienna and Prague, Johannes Leertouwer decided to specialize in historical performance practice. He worked as concertmaster and soloist with a number of international period instrument ensembles and orchestras, such as Anima Eterna, and the orchestra and choir of the Nederlandse Bach Vereniging.
Together with his duo partners Menno van Delft (harpsichord) and Julian Reynolds (fortepiano) he has made a series of CD recordings on the Globe label which feature works by Bach, Mozart, Beethoven, Schubert and Schumann. With the Schönbrunn Ensemble, of which he has been a member since its founding in 1987, he performs both in the Netherlands and abroad. He has also made a series of CD’s with this ensemble, the most recent of which contains works of Graf, Reicha and Ries. In 2006, the Mozart year, Johannes Leertouwer was the soloist and conductor in a highly acclaimed CD-recording of the complete works for violin and orchestra by Mozart (Challenge).
Since 1989 he has been a professor of violin at the Conservatory of Amsterdam. He gives masterclasses and guest teaches in many countries both within and outside of Europe. As a conductor he is able to draw not only on his years of experience with the ensembles and orchestras that are leading the way in historical performance practice, but also on his experience in Romantic and twentieth-century orchestral practice. Already during his violin studies he worked with world famous conductors such as Haitink, Abbado, Bernstein and Harnoncourt.
Johannes Leertouwer is a conductor with a broad repertoire and an exceptionally acute consciousness of style. From his specialization, the Viennese Classics, he has built up his repertoire without limiting himself to any particular style period. Among the works he has conducted are Sibelius’ Symphony No.5, Berlioz’s Symphonie Fantastique and Bach’s St. Matthew Passion; he has also conducted world premieres of works by Patricio Wang, Maurice Horsthuis, Frank Agsteribbe and others.

Franc Polman is a violinist in the Orchestra of the Eighteenth Century and has played in prestigious baroque orchestras such as Musica Antiqua Köln and Les Musiciens du Louvre. He is active in several chamber music ensembles. Polman plays on a number of Amsterdam violins from the seventeenth century, built by Hendrik Jacobs, Pieter Rombouts en Johannes Theodorus Cuypers.

Dorothea Vogel studied in Switzerland, the USA and London, where she has lived since her studies. She was violist of the Allegri Quartet for 20 years and is a member of the Primrose Piano Quartet. She also performs with the English baroque ensemble The Kings Consort. Dorothea teaches at the Royal Welsh College in Cardiff.

The narrative of the Amsterdam based Narratio Quartet began in 2009 when it was invited to perform Beethoven’s last five string quartets on five consecutive nights at the Early Music Festival Utrecht. It is precisely these late Beethoven quartets which are rarely played on period instruments, using gut strings and 19th-century bows. Since then the quartet has worked backwards and here presents the complete cycle of Beethoven quartets. The name “Narratio” refers to the art of rhetoric and illustrates the quartet’s focus on storytelling and interaction between the musicians and also between the quartet and the audience. Their repertoire has expanded to the later 19th century with Brahms, Schubert, Schumann and Mendelssohn.